Coleridge in ItalyCork University Press, 1996 - 256 pages It is to the scholar Edoardo Zuccato's merit to draw thorough notice to Coleridge's Italian interests.George Steiner, The Observer |
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Page 75
... lectures on European literature . The prospectus shows that Lecture XIII , ' ON Colour , Sound , and Form , in Nature , as connected with POESY ' otherwise known as ' On Poesy or Art ' was conceived as a discussion of the philosophical ...
... lectures on European literature . The prospectus shows that Lecture XIII , ' ON Colour , Sound , and Form , in Nature , as connected with POESY ' otherwise known as ' On Poesy or Art ' was conceived as a discussion of the philosophical ...
Page 85
... lecture on Dante is Coleridge's longest discussion on the Florentine poet , and , though it is not so analytic as the lectures on Shakespeare , it represents his criticism at its best . However uneven the value of the lectures , the ...
... lecture on Dante is Coleridge's longest discussion on the Florentine poet , and , though it is not so analytic as the lectures on Shakespeare , it represents his criticism at its best . However uneven the value of the lectures , the ...
Page 110
... lectures , but their point of view was less national than Coleridge's . It must be pointed out , however , that Coleridge never revised the notes for his lectures , though he attempted to do so in the 1820s . He did not lecture again ...
... lectures , but their point of view was less national than Coleridge's . It must be pointed out , however , that Coleridge never revised the notes for his lectures , though he attempted to do so in the 1820s . He did not lecture again ...
Contents
Introduction | 1 |
Coleridge and Italian Lyric Poetry | 16 |
The Fine Arts | 63 |
Copyright | |
6 other sections not shown
Common terms and phrases
admired allegory argued Ariosto aspects August Wilhelm Schlegel Biographia BL CC Boccaccio Byron Cary Cary's century Chiabrera Christian Classical CM CC CN II Coffman Coleridge thought Coleridge's Coleridge's attitude Coleridge's interest contemporary Cormorant criticism Dante Dante's Divine Comedy early edition eighteenth-century England English example Ficino frescoes Friend CC German Giordano Bruno Greek ibid idea imitation Italian culture Italian language Italian literature Italian poetry Italian Renaissance Italy language Latin Lects CC lectures lines literary literature London lyric poetry madrigals Malta Marino medieval Metastasio metre metrics Michelangelo Milton modern Neoplatonic opera original painters painting passage Petrarch Petrarchan philosophy Platonism poems poetic poets points political Princeton N. J. principles prose PW CC PW EHC quoted Raphael referred Schlegel Shakespeare Shelley Shelley's Sismondi sonnet Soother of Absence Southey style Tasso taste theory tradition transcribed translation TT CC Vico Vico's whereas Wordsworth wrote
References to this book
George Eliot and Italy: Literary, Cultural, and Political Influences from ... Andrew Thompson No preview available - 1998 |