Coleridge in ItalyCork University Press, 1996 - 256 pages It is to the scholar Edoardo Zuccato's merit to draw thorough notice to Coleridge's Italian interests.George Steiner, The Observer |
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Page 35
... metre dates from between May and July of 1804 , and , if his notation is reliable , the untraced poem might be an operatic aria , since its metre seems seven - syllable verse , the particular metre of arias . 68 Coleridge began to copy ...
... metre dates from between May and July of 1804 , and , if his notation is reliable , the untraced poem might be an operatic aria , since its metre seems seven - syllable verse , the particular metre of arias . 68 Coleridge began to copy ...
Page 50
... metres not as now by invention of new Metres , which have a specific overpowering tune of their own ( such as Monk Lewis's Alonzo & Imogen , from the German , or Campbell's Hohenlinden , & c ) but by countless subtleties in the common metre ...
... metres not as now by invention of new Metres , which have a specific overpowering tune of their own ( such as Monk Lewis's Alonzo & Imogen , from the German , or Campbell's Hohenlinden , & c ) but by countless subtleties in the common metre ...
Page 51
... metre he had previously neglected . In his transcendental ballads he invented an accentual type of verse distinct from the accentual - syllabic system which was predominant in the eighteenth century . The metres of his major poems are ...
... metre he had previously neglected . In his transcendental ballads he invented an accentual type of verse distinct from the accentual - syllabic system which was predominant in the eighteenth century . The metres of his major poems are ...
Contents
Introduction | 1 |
Coleridge and Italian Lyric Poetry | 16 |
The Fine Arts | 63 |
Copyright | |
6 other sections not shown
Common terms and phrases
admired allegory argued Ariosto aspects August Wilhelm Schlegel Biographia BL CC Boccaccio Byron Cary Cary's century Chiabrera Christian Classical CM CC CN II Coffman Coleridge thought Coleridge's Coleridge's attitude Coleridge's interest contemporary Cormorant criticism Dante Dante's Divine Comedy early edition eighteenth-century England English example Ficino frescoes Friend CC German Giordano Bruno Greek ibid idea imitation Italian culture Italian language Italian literature Italian poetry Italian Renaissance Italy language Latin Lects CC lectures lines literary literature London lyric poetry madrigals Malta Marino medieval Metastasio metre metrics Michelangelo Milton modern Neoplatonic opera original painters painting passage Petrarch Petrarchan philosophy Platonism poems poetic poets points political Princeton N. J. principles prose PW CC PW EHC quoted Raphael referred Schlegel Shakespeare Shelley Shelley's Sismondi sonnet Soother of Absence Southey style Tasso taste theory tradition transcribed translation TT CC Vico Vico's whereas Wordsworth wrote
References to this book
George Eliot and Italy: Literary, Cultural, and Political Influences from ... Andrew Thompson No preview available - 1998 |