Coleridge in ItalyCork University Press, 1996 - 256 pages It is to the scholar Edoardo Zuccato's merit to draw thorough notice to Coleridge's Italian interests.George Steiner, The Observer |
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Page 51
... Modern ballad metres were either flat and mechanic , like Scott's , or insupportably galloping , like Lewis ' and ... modern European lyric poetry , whose core is Petrarchan rather than Dantesque . Coleridge's remarks on the ...
... Modern ballad metres were either flat and mechanic , like Scott's , or insupportably galloping , like Lewis ' and ... modern European lyric poetry , whose core is Petrarchan rather than Dantesque . Coleridge's remarks on the ...
Page 81
... modern times should now be clearer . Modern poetry and modern landscape painting are analogous , since both focus on details rather than on the whole . As early as 1805 Coleridge had noted : Modern Poetry characterized by the Poets ...
... modern times should now be clearer . Modern poetry and modern landscape painting are analogous , since both focus on details rather than on the whole . As early as 1805 Coleridge had noted : Modern Poetry characterized by the Poets ...
Page 231
... modern languages was always that of a classicist : modern languages were for him not indispensable in early education , and he did not favour the introduction of any of them in schools ( TT ( CC ) 1 Jul 1833 ) . ( iii Coleridge's ...
... modern languages was always that of a classicist : modern languages were for him not indispensable in early education , and he did not favour the introduction of any of them in schools ( TT ( CC ) 1 Jul 1833 ) . ( iii Coleridge's ...
Contents
Introduction | 1 |
Coleridge and Italian Lyric Poetry | 16 |
The Fine Arts | 63 |
Copyright | |
6 other sections not shown
Common terms and phrases
admired allegory argued Ariosto aspects August Wilhelm Schlegel Biographia BL CC Boccaccio Byron Cary Cary's century Chiabrera Christian Classical CM CC CN II Coffman Coleridge thought Coleridge's Coleridge's attitude Coleridge's interest contemporary Cormorant criticism Dante Dante's Divine Comedy early edition eighteenth-century England English example Ficino frescoes Friend CC German Giordano Bruno Greek ibid idea imitation Italian culture Italian language Italian literature Italian poetry Italian Renaissance Italy language Latin Lects CC lectures lines literary literature London lyric poetry madrigals Malta Marino medieval Metastasio metre metrics Michelangelo Milton modern Neoplatonic opera original painters painting passage Petrarch Petrarchan philosophy Platonism poems poetic poets points political Princeton N. J. principles prose PW CC PW EHC quoted Raphael referred Schlegel Shakespeare Shelley Shelley's Sismondi sonnet Soother of Absence Southey style Tasso taste theory tradition transcribed translation TT CC Vico Vico's whereas Wordsworth wrote
References to this book
George Eliot and Italy: Literary, Cultural, and Political Influences from ... Andrew Thompson No preview available - 1998 |