Coleridge in ItalyCork University Press, 1996 - 256 pages It is to the scholar Edoardo Zuccato's merit to draw thorough notice to Coleridge's Italian interests.George Steiner, The Observer |
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Page 63
... painting.1 Barry compares Coleridge's ideas of painting and music and concludes that music was much more important than painting in Coleridge's system of the arts . I disagree with him , and I shall return to the point at the end of the ...
... painting.1 Barry compares Coleridge's ideas of painting and music and concludes that music was much more important than painting in Coleridge's system of the arts . I disagree with him , and I shall return to the point at the end of the ...
Page 76
... painting in his hierarchy of the arts , since the range of its power was wider than that of painting . Poetry could represent the abstract better than painting : Milton's description of Death produced in the reader an undefined feeling ...
... painting in his hierarchy of the arts , since the range of its power was wider than that of painting . Poetry could represent the abstract better than painting : Milton's description of Death produced in the reader an undefined feeling ...
Page 80
... painting which places him in the mainstream of Western taste from Giotto's to his own time . The analogies with Reynolds exist because both share some basic tenets of this tradition . Coleridge was in fact suspicious of Joshua Reynolds ...
... painting which places him in the mainstream of Western taste from Giotto's to his own time . The analogies with Reynolds exist because both share some basic tenets of this tradition . Coleridge was in fact suspicious of Joshua Reynolds ...
Contents
Introduction | 1 |
Coleridge and Italian Lyric Poetry | 16 |
The Fine Arts | 63 |
Copyright | |
6 other sections not shown
Common terms and phrases
admired allegory argued Ariosto aspects August Wilhelm Schlegel Biographia BL CC Boccaccio Byron Cary Cary's century Chiabrera Christian Classical CM CC CN II Coffman Coleridge thought Coleridge's Coleridge's attitude Coleridge's interest contemporary Cormorant criticism Dante Dante's Divine Comedy early edition eighteenth-century England English example Ficino frescoes Friend CC German Giordano Bruno Greek ibid idea imitation Italian culture Italian language Italian literature Italian poetry Italian Renaissance Italy language Latin Lects CC lectures lines literary literature London lyric poetry madrigals Malta Marino medieval Metastasio metre metrics Michelangelo Milton modern Neoplatonic opera original painters painting passage Petrarch Petrarchan philosophy Platonism poems poetic poets points political Princeton N. J. principles prose PW CC PW EHC quoted Raphael referred Schlegel Shakespeare Shelley Shelley's Sismondi sonnet Soother of Absence Southey style Tasso taste theory tradition transcribed translation TT CC Vico Vico's whereas Wordsworth wrote
References to this book
George Eliot and Italy: Literary, Cultural, and Political Influences from ... Andrew Thompson No preview available - 1998 |