Coleridge in ItalyCork University Press, 1996 - 256 pages It is to the scholar Edoardo Zuccato's merit to draw thorough notice to Coleridge's Italian interests.George Steiner, The Observer |
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Page 57
... passage from a spurious canzone , ' lo miro i crespi e gli biondi capegli ' ' & then to describe myself unaffected uninfluenced t [ i ] ll the soul within through the face & form declares a primary sympathy ' ( CN II 3017 and n ...
... passage from a spurious canzone , ' lo miro i crespi e gli biondi capegli ' ' & then to describe myself unaffected uninfluenced t [ i ] ll the soul within through the face & form declares a primary sympathy ' ( CN II 3017 and n ...
Page 60
... passage . 177 To be more precise , I think that Coleridge's observation must not be considered as a comment on a particular passage of Dante's treatise , but as an anticipation of the argument of the following chapters of Biographia ...
... passage . 177 To be more precise , I think that Coleridge's observation must not be considered as a comment on a particular passage of Dante's treatise , but as an anticipation of the argument of the following chapters of Biographia ...
Page 131
... passage from De immenso , a significant point of which was translated as follows : Bruno ( who is quoting a passage from Hermes Trismegistus ) : ' sicut Deus est omnia ' ; Coleridge : ' even as in God all things are ' ( CC , I 116-17 ) ...
... passage from De immenso , a significant point of which was translated as follows : Bruno ( who is quoting a passage from Hermes Trismegistus ) : ' sicut Deus est omnia ' ; Coleridge : ' even as in God all things are ' ( CC , I 116-17 ) ...
Contents
Introduction | 1 |
Coleridge and Italian Lyric Poetry | 16 |
The Fine Arts | 63 |
Copyright | |
6 other sections not shown
Common terms and phrases
admired allegory argued Ariosto aspects August Wilhelm Schlegel Biographia BL CC Boccaccio Byron Cary Cary's century Chiabrera Christian Classical CM CC CN II Coffman Coleridge thought Coleridge's Coleridge's attitude Coleridge's interest contemporary Cormorant criticism Dante Dante's Divine Comedy early edition eighteenth-century England English example Ficino frescoes Friend CC German Giordano Bruno Greek ibid idea imitation Italian culture Italian language Italian literature Italian poetry Italian Renaissance Italy language Latin Lects CC lectures lines literary literature London lyric poetry madrigals Malta Marino medieval Metastasio metre metrics Michelangelo Milton modern Neoplatonic opera original painters painting passage Petrarch Petrarchan philosophy Platonism poems poetic poets points political Princeton N. J. principles prose PW CC PW EHC quoted Raphael referred Schlegel Shakespeare Shelley Shelley's Sismondi sonnet Soother of Absence Southey style Tasso taste theory tradition transcribed translation TT CC Vico Vico's whereas Wordsworth wrote
References to this book
George Eliot and Italy: Literary, Cultural, and Political Influences from ... Andrew Thompson No preview available - 1998 |