Shakespeare Survey, Volume 35Stanley Wells Cambridge University Press, 2002 M11 28 - 224 pages Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948 Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of the previous year's textual and critical studies and of major British performances. The books are illustrated with a variety of Shakespearean images and production photographs. The current editor of Survey is Peter Holland. The first eighteen volumes were edited by Allardyce Nicoll, numbers 19-33 by Kenneth Muir and numbers 34-52 by Stanley Wells. The virtues of accessible scholarship and a keen interest in performance, from Shakespeare's time to our own, have characterised the journal from the start. For the first time, numbers 1-50 are being reissued in paperback, available separately and as a set. |
Contents
Developments in the Study of NineteenthCentury Shakespearian Production | 1 |
The Meininger Company and English Shakespeare | 13 |
from Heinrich Anschutz to Josef Kainz | 21 |
Shakespeare on the Melbourne Stage 184361 | 31 |
Shakespeare in Hazlitts Theatre Criticism | 43 |
Characterization of the Four Young Lovers in A Midsummer Nights Dream | 57 |
on Mediation in Two Comedies | 65 |
Language Theme and Character in Twelfth Night | 79 |
Fernidand and Miranda at Chess | 113 |
the Editorial Problem | 119 |
The Theatre at Christ Church Oxford in 1605 | 129 |
Interpretations of Shakespearian Comedy 1981 | 141 |
The Years Contributions to Shakespearian Study | 153 |
2 Shakespeares Life Times and Stage | 174 |
3 Textual Studies | 179 |
193 | |
The Art of the Comic Duologue in Three Plays by Shakespeare | 87 |
the Making of Shakespeares Moor | 101 |
Common terms and phrases
actors Anschütz Antonio Arden argues audience Burgtheater Cambridge century characters chess Christ Church Clown comedy comic compositor context Culture Demetrius discussion dramatic duologue editors Elizabethan emend error essay Feste Folio fool Gentlemen of Verona Hamlet Hazlitt Helena Henry Hermia Iago imagination interpretation Irving John Julius Caesar Kainz Kean Kean's Kemble King Lear Latin London Love's Labour's Lost lovers Lysander Macbeth Meininger company Melbourne Merchant of Venice Midsummer Night's Dream Mitterwurzer modern editions Moor nature Oberon Olivia Orsino Othello Oxford performance periaktoi play's Portia Press problem production Prospero Quarto reading Renaissance Richard Richard III Riverside role Romeo and Juliet Royal Shakespeare Theatre scene seats seems sense Shakespeare Quarterly Shakespeare Survey Shakespeare's plays Shakespearean Comedy Shakespearian Shylock social Sonnenthal Spanish speech style suggest theatre criticism theatrical Theseus thou Titus Touchstone tragedy tragic Twelfth Night Victorian Viola William Winter's Tale words