Shakespeare Studies: Historical and Comparative in MethodMacmillan, 1927 - 502 pages |
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actor Antony appears artist Atheist's Tragedy audience Banquo Bessus Bradley Brutus century chapter character Cleopatra clown Comedy of Manners comic conscience contrast coward Creizenach cries Criminals critics death delight devil doubt dramatist dream effect Elizabethan drama English fact Falstaff farces father French ghost Hamlet hand Harpagon Henry Henry VI hero honour human humour Iago imagination irony Jonson Julius Cæsar King Lear Lady Macbeth less literature matter means method mind modern Molière moral Morgann motives murder nature Othello passion person Plautus play poet popular present Prince Professor Schücking psychological reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare spirit stage story Stratford supernatural superstition technique thing thought tion to-day tragedy tragic turn verse villain wife witches words writing wrote