Marlowe, Shakespeare, and the Economy of Theatrical ExperienceThis study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in Marlowe. |
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Contents
Part One The Economy of Theatrical Experience | 9 |
The Audience in Theory and Practice | 38 |
Part Two The Webs of Plays | 67 |
Copyright | |
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Common terms and phrases
action actually advance appeal approach aspiring attempt audience audience's authority Barabas becomes believe calls capacity chapter character claim closing common consequently considered constitutes construction contemporary contends context course critical cultural defenses demonstrate designed desire dramatic Edward effects Elizabethan engagement established example expression fact fantasy feel Gaveston ghost give ground hand Henry identify ideology imaginative intentions interests interpretive Jack Straw kind king largely least less Lord Macbeth manner Marlowe Marlowe's master material means mind moral nature normative notes observes offer operates opposed performance play play's playgoers pleasure political position present privileged provides psychic psychological question range reading regarding represented resistance respect response Richard role scene seems sense serve Shakespeare shared social speak specific speech stage status structure suggests Tamburlaine theater theatrical experience Timon tion writes
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Bibliographic information
| Title | Marlowe, Shakespeare, and the Economy of Theatrical Experience |
| Author | Thomas Cartelli |
| Edition | illustrated |
| Publisher | University of Pennsylvania Press, Incorporated, 1991 |
| Original from | the University of Michigan |
| Digitized | 4 Mar 2008 |
| ISBN | 0812231023, 9780812231021 |
| Length | 264 pages |
| Export Citation | BiBTeX EndNote RefMan |