Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
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Page 199
... Bradley has tabulated them , " though he does not definitely accept or reject them : 1. Macbeth has already seen one hallucination , that of the dagger ; and Lady Macbeth would remind us of it here . The main answer to this , as to all ...
... Bradley has tabulated them , " though he does not definitely accept or reject them : 1. Macbeth has already seen one hallucination , that of the dagger ; and Lady Macbeth would remind us of it here . The main answer to this , as to all ...
Page 210
... Bradley rightly compares the incident of Athena , descending to stay Achilles ' hand in the council , though Achilles was already debating in his mind whether to draw his sword or to curb his soul . Athena is no symbol , either , though ...
... Bradley rightly compares the incident of Athena , descending to stay Achilles ' hand in the council , though Achilles was already debating in his mind whether to draw his sword or to curb his soul . Athena is no symbol , either , though ...
Page 442
... Bradley ' would find this all too simple ; and , wrenching both plot " and character in the process , have him lie in no expectation of being believed , step into traps for the fun of wriggling out of them , and bid for gibes at his own ...
... Bradley ' would find this all too simple ; and , wrenching both plot " and character in the process , have him lie in no expectation of being believed , step into traps for the fun of wriggling out of them , and bid for gibes at his own ...
Contents
ON THE ANNIVERSARY OF THE FOLIO | 1 |
the device in Terence and Plautus 9 In sixteenth | 12 |
THE CHARACTERIZATION 90 00 | 16 |
Copyright | |
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actor Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown Comedy of Manners comic Congreve conscience contrast coward Creizenach cries Criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce French ghost Hamlet hand heart Henry hero honour human humour hypocrite Iago imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Measure for Measure Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello Palmer passion person Plautus play poet present Prince Professor Schücking psychological Racine reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare speech spirit stage story thing thought tion to-day tragedy tragic turn verse villain words writing