Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
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Page 73
... Richard III be called a social document . And Anne , who spits on Richard at the beginning of the scene , plights her troth to him at the end - as , later Elizabeth bestows on him the hand of her daughter - only on the strength of the ...
... Richard III be called a social document . And Anne , who spits on Richard at the beginning of the scene , plights her troth to him at the end - as , later Elizabeth bestows on him the hand of her daughter - only on the strength of the ...
Page 224
... Richard's conscience , he represented them ( if that really be what he represented ) as the hauntings of menacing ghosts . And that too , except for dramatic effect , without any need . In the True Tragedie Richard when in the throes of ...
... Richard's conscience , he represented them ( if that really be what he represented ) as the hauntings of menacing ghosts . And that too , except for dramatic effect , without any need . In the True Tragedie Richard when in the throes of ...
Page 383
... Richard and Buckingham , crocodiles caressing and caressed . It is the franker manner of Richard , his bluffness and soldierly cynicism , that Iago more especially affects , modified and seasoned with bon- hommie . There is almost as ...
... Richard and Buckingham , crocodiles caressing and caressed . It is the franker manner of Richard , his bluffness and soldierly cynicism , that Iago more especially affects , modified and seasoned with bon- hommie . There is almost as ...
Contents
ON THE ANNIVERSARY OF THE FOLIO | 1 |
the device in Terence and Plautus 9 In sixteenth | 12 |
THE CHARACTERIZATION 90 00 | 16 |
Copyright | |
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actor Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown Comedy of Manners comic Congreve conscience contrast coward Creizenach cries Criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce French ghost Hamlet hand heart Henry hero honour human humour hypocrite Iago imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Measure for Measure Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello Palmer passion person Plautus play poet present Prince Professor Schücking psychological Racine reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare speech spirit stage story thing thought tion to-day tragedy tragic turn verse villain words writing