Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
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Page 182
... modern plays and stories and modern criticism . And they are prompted by modern idealistic philoso- phy , as applied by the Fichtians , Schlegel and Tieck , who conceived all art to be inspired by irony , to be a transcen- dental farce ...
... modern plays and stories and modern criticism . And they are prompted by modern idealistic philoso- phy , as applied by the Fichtians , Schlegel and Tieck , who conceived all art to be inspired by irony , to be a transcen- dental farce ...
Page 183
... modern sense of humour which , allied with the modern sense of time and space , eternity and infinity , almost makes our world totter or shrink up . To him this might have seemed impious or frivolous ; yet there is scarcely anything in ...
... modern sense of humour which , allied with the modern sense of time and space , eternity and infinity , almost makes our world totter or shrink up . To him this might have seemed impious or frivolous ; yet there is scarcely anything in ...
Page 375
... modern . But is it not idle to separate form from content in the work of a great popular artist ? He must , in a measure , speak the vulgar language of his audience , but in the end he contrives to say what he has to say . No 22 See my ...
... modern . But is it not idle to separate form from content in the work of a great popular artist ? He must , in a measure , speak the vulgar language of his audience , but in the end he contrives to say what he has to say . No 22 See my ...
Contents
ON THE ANNIVERSARY OF THE FOLIO | 1 |
the device in Terence and Plautus 9 In sixteenth | 12 |
THE CHARACTERIZATION 90 00 | 16 |
Copyright | |
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actor Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown Comedy of Manners comic Congreve conscience contrast coward Creizenach cries Criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce French ghost Hamlet hand heart Henry hero honour human humour hypocrite Iago imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Measure for Measure Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello Palmer passion person Plautus play poet present Prince Professor Schücking psychological Racine reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare speech spirit stage story thing thought tion to-day tragedy tragic turn verse villain words writing