Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
From inside the book
Results 1-3 of 42
Page ix
... Repetition in Shakespeare . Comedy and tragedy not kept distinct . ( 4 ) In Molière and Jonson situation and character are wholly comic and fully de- veloped as such , and unlike Shakespeare's comedies they are different from tragedy ...
... Repetition in Shakespeare . Comedy and tragedy not kept distinct . ( 4 ) In Molière and Jonson situation and character are wholly comic and fully de- veloped as such , and unlike Shakespeare's comedies they are different from tragedy ...
Page 148
... repetition , also comic in effect , much com- moner in Shakespeare and rarer in Molière . This has to do mainly with character and with mental processes , whether it be a particular favourite word or phrase to which the person is ...
... repetition , also comic in effect , much com- moner in Shakespeare and rarer in Molière . This has to do mainly with character and with mental processes , whether it be a particular favourite word or phrase to which the person is ...
Page 152
... repetition almost instinctively and perforce . If he fail of his effect at the first attempt he may get it at the second , for the mere repetition suggests not only the comic intent but also a comic quality . Mere repetition of an ...
... repetition almost instinctively and perforce . If he fail of his effect at the first attempt he may get it at the second , for the mere repetition suggests not only the comic intent but also a comic quality . Mere repetition of an ...
Contents
ON THE ANNIVERSARY OF THE FOLIO | 1 |
the device in Terence and Plautus 9 In sixteenth | 12 |
THE CHARACTERIZATION 90 00 | 16 |
Copyright | |
10 other sections not shown
Other editions - View all
Common terms and phrases
actor Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown Comedy of Manners comic Congreve conscience contrast coward Creizenach cries Criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce French ghost Hamlet hand heart Henry hero honour human humour hypocrite Iago imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Measure for Measure Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello Palmer passion person Plautus play poet present Prince Professor Schücking psychological Racine reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare speech spirit stage story thing thought tion to-day tragedy tragic turn verse villain words writing