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" Ah ! let not Censure term our fate our choice, The stage but echoes back the public voice ; The drama's laws, the drama's patrons give, For we that live to please, must please to live. "
The Monthly Mirror: Reflecting Men and Manners : with Strictures on Their ... - Page 51
1804
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The Cambridge Companion to English Renaissance Drama

A. R. Braunmuller, Michael Hattaway - 2003 - 488 pages
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Performing Opposition: Modern Theater and the Scandalized Audience

Neil Blackadder - 2003 - 252 pages
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Love's Labor's Lost

William Shakespeare - 2004 - 260 pages
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King John/Henry VIII

William Shakespeare, William H. Matchett, Samuel Schoenbaum - 2004 - 514 pages
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The Cambridge History of British Theatre, Volume 2

Jane Milling, Joseph Walter Donohue (Jr.) - 2004 - 582 pages
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A Subject for Taste: Culture in Eighteenth-century England

Jeremy Black - 2005 - 320 pages
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India's Shakespeare: Translation, Interpretation, and Performance

Poonam Trivedi, Dennis Bartholomeusz - 2005 - 312 pages
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The Cambridge History of English Literature, 1660-1780

John Richetti - 2005 - 974 pages
...opening of Drury Lane in September 1747 at the start of Garrick's twenty-nine years of management: The drama's laws, the drama's patrons give, For we that live to please, must please to live.34 If the audience wanted pantomime, farce, musicals and technical razzledazzle - and they did...
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Shakespeare and Theatrical Patronage in Early Modern England

Paul Whitfield White, Suzanne R. Westfall - 2006 - 340 pages
...paramount importance. CHAPTER II The aadience as paIron: The Knight of the Burning Pestle Alexander Leggatt The Drama's Laws the Drama's Patrons give, For we that live to please, must please to live. Samuel Johnson, "Prologue at the Opening of the Theatre in Drnry-Lane i747" Halfway through the fifteenth-century...
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The Letters of Thomas Gray Including the Correspondence of Gray ..., Volume 1

Thomas Gray - 2006 - 472 pages
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