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" And those thin clouds above, in flakes and bars, That give away their motion to the stars; Those stars, that glide behind them or between, Now sparkling, now bedimmed, but always seen: Yon crescent Moon, as fixed as if it grew In its own cloudless, starless... "
Macmillan's Magazine - Page 125
edited by - 1894
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Miscellanies, æsthetic and literary: to which is added The theory of life ...

Samuel Taylor Coleridge - 1880 - 484 pages
...bedimm'd, but always seen ; Yon crescent moon, that seems as if it grew In its own starless, cloudless lake of blue— I see them all, so excellently fair! I see, not feel, how beautiful they are." STC MS. Poem. SCHOLIUM. We have sufficiently distinguished the beautiful from the agreeable, by the...
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Littell's Living Age, Volume 167

1885 - 852 pages
...unhappiness, and opium had done their work, it was with a blank gaze that he regarded the beauties of nature. I see them all so excellently fair, I see, not feel, how beautiful they are I To Wordsworth, on the other hand, nature was a living, breathing, thinking being, distinct from himself,...
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Samuel Taylor Coleridge and the English Romantic School

Alois Brandl - 1887 - 424 pages
...Coleridge begins with the mighty features of nature — the winds, the clouds, and the Moon : " as fixed as if it grew In its own cloudless, starless lake of blue." Again he dwells pathetically on the delight with which landscape beauty once inspired him. Still, it...
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Casimir Maremma

Sir Arthur Helps - 1888 - 332 pages
...the beauties of art, he turned a somewhat indifferent mind. He might have said with the poet — " I see them all so excellently fair, I see, not feel, how beautiful they are." Only with Count Casimir the word "care" might have been substituted instead of " feel." And yet he...
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Scenes of Nature, Signs of Men: Essays on 19th and 20th Century American ...

Tony Tanner - 1989 - 292 pages
...vision. Coleridge's 'Dejection: an Ode' hinges on this severance between self and surrounding things: 'I see them all so excellently fair, / I see, not feel, how beautiful they are!' And Shelley's 'Stanzas Written in Dejection', by lamenting the absence of some other 'heart' to 'share...
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American Philosophy and the Romantic Tradition

Russell B. Goodman - 1990 - 182 pages
...and the "thin clouds above, in flakes and bars, / That give away their motion to the stars . . . / I see them all so excellently fair, / I see, not feel, how beautiful they are!" The emotional opposite of such dejection is the joy of which Wordsworth and Coleridge so often speak....
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The Columbia Granger's Dictionary of Poetry Quotations

Edith P. Hazen - 1992 - 1172 pages
...ballad of Sir Patrick Spence, (1. 1—2) 7 A grief without a pant, void, dark, and drear. (1. 21) 8 we have (1. 20-24) To a Snail 39 If "compression is the first grace of style (1. 37—38) 9 O Lady! we receive but what we give. And in our life alone does Nature live: (1. 47—48)...
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Scepticism and Hope in Twentieth Century Fantasy Literature

Kath Filmer-Davies - 1992 - 180 pages
...elements of nature; he can perceive, but he cannot receive: And still I gaze—and with how blank an eye! I see them all, so excellently fair; I see, not feel, how beautiful they are. (30: 37-8) Wordsworth, too, believed that joy was a necessary precondition of exercising the priestly...
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REAL Volume 8 (1991/1992), Volume 8

1992 - 312 pages
...arousing the state of exultation or ecstasy, and their so-called "beauty" leaves the observer untouched: "I see them all so excellently fair, / I see, not feel, how beautiful they are! "("Dejection: An Ode," 11. 37-38). The double trafficking between "inner" and "outer" passion/power...
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The Emergence of Romanticism

Nicholas V. Riasanovsky - 1995 - 128 pages
...away their emotion to the stars; Now sparkling, now bedimmed, but always seen: Yon crescent Moon, as fixed as if it grew In its own cloudless, starless lake of blue; 1 see them all so excellently fair, I see, not feel, how beautiful they are! O Lady! we receive but...
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