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" Not the fruit of experience, but experience itself, is the end. A counted number of pulses only is given to us of a variegated, dramatic life. How may we see in them all that is to be seen in them by the finest senses? "
The Forum - Page 243
1922
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English Literature, 1880-1905

John McFarland Kennedy - 1912 - 366 pages
...excitement is irresistibly real and attractive to us — for that moment only. Not the fruit of experience, but experience itself, is the end. A counted number...only is given to us of a variegated, dramatic life. How may we see in them all that is to be seen in them by the finest senses ? How shall we pass most...
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The Drift of Romanticism: Shelburne Essays, Eighth Series

Paul Elmer More - 1913 - 702 pages
...excitement is irresistibly real and attractive to us, — for that moment only. Not the fruit of experience, but experience itself, is the end. A counted number...only is given to us of a variegated, dramatic life. How may we see in them all that is to be seen in them by the finest senses? How shall we pass most...
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The Drift of Romanticism: Shelburne Essays, Eighth Series

Paul Elmer More - 1913 - 334 pages
...excitement is irresistibly real and attractive to us, — for that moment only. Not the fruit of experience, but experience itself, is the end. A counted number...only is given to us of a variegated, dramatic life. How may we see in them all that is to be seen in them by the finest senses? How shall we pass most...
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Shakespeares verwendung von gleichartigem und gegensätzlichem parallelismus ...

Ernst August Lüdemann - 1913 - 310 pages
...Gedankenreihen zu erinnern; in der Renaissance sagt er auf Seite 236 : Not the fruit of experience, but experience itself, is the end. A counted number...only is given to us of a variegated, dramatic life. How may we see in them all that is to be seen in them by the finest senses? Eine Art Erfahrung als...
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The Renaissance: Studies in Art and Poetry

Walter Pater - 1913 - 276 pages
...irresistibly rea| and attractive to us, — for that moment only. •• Not the fruit of experience, but I experience itself, is the end. A counted number of...only is given to us of a variegated, dramatic life. How may we see in them all that is to be seen in them by the finest senses ? How shall we pass most...
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The Drift of Romanticism

Paul Elmer More - 1913 - 350 pages
...and attractive to us, — for that moment only. Not the fruit of experience, but experience itself^jj is the end. A counted number of pulses only is given to us of a variegated, dramatic life. How may we see in them all that is to be seen in them by the finest senses? How shall we pass most...
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Bonner studien zur Englischen philologie, Issues 7-10

1913 - 586 pages
...Gedankenreihen zu erinnern; in der Renaissance sagt er auf Seite 236: Not the fruit of experiencc, but experience itself, is the end. A counted number of pulses only is given to us of a variegatcd, dramatic life. How may we see in thcm all that is to be seen in them by the finest senses?...
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Vanishing Roads, and Other Essays

Richard Le Gallienne - 1915 - 418 pages
...oft-quoted passage from that once-suppressed "Conclusion" to The Renaissance: Not the fruit of experience, but experience itself, is the end. A counted number...only is given to us of a variegated dramatic life. How may we see in them all that there is to be seen in them by the finest senses? How shall we pass...
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Charles Baudelaire: His Life, by Theophile Gautier

Théophile Gautier - 1915 - 224 pages
...excitement is irresistibly real and attractive for us—for that moment only. Not the fruit of experience, but experience itself, is the end. A counted number...only is given to us of a variegated, dramatic life. How may we see in them all that is to be seen in them by the finest senses ? How shall we pass most...
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Originality: A Popular Study of the Creative Mind

Thomas Sharper Knowlson - 1917 - 334 pages
...excitement is irresistibly real and attractive to us — for the moment only. Not the fruit of experience, but experience itself is the end. A counted number...only is given to us of a variegated dramatic life. How may we see in them all that is to be seen in them by the finest senses ? How shall we pass most...
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