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" Whatever is fitted in any sort to excite the ideas of pain and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror, is a source of the sublime; that is, it is productive... "
Dublin University Magazine, a Literary and Political Journal - Page 159
by George Herbert - 1863
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Raimer Jochims: FarbFormBeziehungen: anschauliche Bedingungen seiner ...

Anette Naumann - 2005 - 642 pages
...Ideas ofthe Sublime and the Beautiful: Whatever is fitted in any sort to excite the ideas of pain, and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror, is a source of the sublime; that is, it is productive...
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Sublime Historical Experience

F. R. Ankersmit - 2005 - 510 pages
...sublime experience to death; think of Burke: Whatever is fitted in any sort to excite the idea of pain and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror, is a source of the sublime. ... So death is in...
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The Headless Republic: Sacrificial Violence in Modern French Thought

Jesse Goldhammer - 2005 - 386 pages
...the Sublime and Beautiful. Burke writes: "Whatever is fined in any sort to excite the ideas of pain, and danger, that is to say. whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror, is a source of the sublime; that is. it is productive...
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Entre empire et nation: les représentations de la ville de Québec et de ses ...

Alain Parent - 2005 - 300 pages
...pu écrire cadre bien avec cette image: Whatever is fitted in any sort to excite the ideas of pain, and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror, is a source of the sublime; that is, it is productive...
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Modern Architectural Theory: A Historical Survey, 1673–1968

Harry Francis Mallgrave - 2009 - 584 pages
...passion similar to it," the sublime is "whatever is fitted in any sort to excite the ideas of pain and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror.""1' His definition is not as startling as it...
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Fabricating Pleasure: Fashion, Entertainment, and Cultural Consumption in ...

Karin A. Wurst - 2005 - 520 pages
...of friendship."3 Regarding the sublime, "whatever is fitted in any sort to excite the ideas of pain, and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror, is a source of the sublime ... it is productive...
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Imagining Animals: Art, Psychotherapy and Primitive States of Mind

Caroline Case - 2005 - 260 pages
...the two experiences in the following way: Whatever is fitted in any sort to excite the ideas of pain, and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror, is a source of the sublime, that is, it is productive...
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Regimes of Description: In the Archive of the Eighteenth Century

John B. Bender, Michael Marrinan - 2005 - 312 pages
...ideas of pain and danger, whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror, is a source of the sublime; that is productive of the strongest emotion which the mind is capable of feeling.1' Burke's sublime...
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This Grand & Magnificent Place: The Wilderness Heritage of the White Mountains

Christopher Johnson - 2006 - 340 pages
...associated with the sublime, as he explained: Whatever is fitted in any sort to excite the ideas of pain and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror, is a source of the sublime; that is, it is productive...
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Visual Culture: Histories, archaeologies and genealogies of visual culture

Joanne Morra, Marquard Smith - 2006 - 376 pages
...XV, XVI, pp. 39-40, 42^3, 44-45, 47-50. Whatever is fitted in any sort to excite the ideas of pain, and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror, is a source of the sublime; that is, it is productive...
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