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" ... very defectious in the circumstances, which grieveth me, because it might not remain as an exact model of all tragedies. For it is faulty both in place and time, the two necessary companions of all corporal actions. "
Amenities of literature, sketches and characters of English literature - Page 8
by Isaac Disraeli - 1841
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Gorboduc: Or Ferrex and Porrex; a Tragedy

Thomas Norton, Thomas Sackville Earl of Dorset - 1883 - 148 pages
...circumstances ; which greeverh me, because it might not remaine as an exact model of all Tragedies. For it is faulty both in place, and time, the two necessary companions of all corporall actions. For where the stage should alwaies represent but one place, and the uttermost time...
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Gorboduc: Or Ferrex and Porrex; a Tragedy

Thomas Norton, Thomas Sackville Earl of Dorset - 1883 - 154 pages
...circumstances ; which greeveth me , because it might not remaine as an exact model of all Tragedies. For it is faulty both in place, and time, the two necessary companions of all corporall actions. For where the stage should alwaies represent but one place, and the uttermost time...
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Shakspere's Predecessors in the English Drama, Volume 4

John Addington Symonds - 1884 - 696 pages
...circumstances, which grieves me, because it might not remain as an exact model of all tragedies. For it is faulty both in place and time, the two necessary companions of all corporal actions. For where the stage should alway represent but one place ; and the uttermost time presupposed in it,...
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Shakspere's predecessors in the English drama

John Addington Symonds - 1884 - 706 pages
...circumstances, which grieves me, because it might not remain as an exact model of all tragedies. For it is faulty both in place and time, the two necessary companions of all corporal actions. For where the stage should alway represent but one place ; and the uttermost time presupposed in it,...
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Shakespeariana; a critical and contemporary review of ..., Volume 2

1885 - 626 pages
...1580, Sir Philip Sidney wrote his Apology for Poetry, in which he speaks of the contemporary drama as "faulty both in place and time, the two necessary companions of all corporal actions. For where the stage should alway represent but one place ; and the uttermost time, presupposed in it,...
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Life. Hist. drama. Poems

William Shakespeare - 1887 - 596 pages
...circumstances ; -which grieves me, because it might not remain as an exact model of all tragedies: for it is faulty both in place and time, the two necessary companions of all corporal actions. . . _. " But, if it be so in Gorboduc, how much more in all the rest, where you shall have Asia of...
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The Ancient Classical Drama: A Study in Literary Evolution Intended for ...

Richard Green Moulton - 1890 - 514 pages
...limitations. Sidney in his Apologiefor Poetrie denounces the new departure. He says of Gorboduc: It is faulty both in place and time, the two necessary companions of all corporal actions. For where the stage should alway represent but one place ; and the uttermost time presupposed in it...
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Selections in English Prose from Elizabeth to Victoria (1580-1880).

James Mercer Garnett - 1890 - 730 pages
...circumstaunces,23 which greeveth mee, because it might not remaine as an exact model of all Tragedies. For it is faulty both in place, and time, the two necessary companions of all corporall actions. For where the stage should alwaies represent but one place, and the uttermost time...
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The Prelude to Poetry: The English Poets in the Defence and ..., Volume 10

Ernest Rhys - 1897 - 250 pages
...circumstaunces ; which greeveth mee, because it might not remaine as an exact model of all Tragedies. For it is faulty both in place, and time, the two necessary companions of all corporall actions. For where the stage should alwaies represent but one place, and the uttermost time...
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English Literary Criticism

Charles Edwyn Vaughan - 1896 - 330 pages
...circumstances; which grieveth me, because it might not remain as an exact model of all tragedies. For it is faulty both in place and time, the two necessary companions of all corporal actions. For where the stage should always represent but one place, and the uttermost time presupposed in it...
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